Record

Reference Number (Click this to reveal full catalogue structure)KM
TitleKeith Medley Photographic Collection
Datec.1950-1980s
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Extent8 bays
DescriptionThe Keith Medley Photographic Collection is a large collection of rare glass plate negative images taken commercially by Keith Medley, his colleagues, and associates, across the Merseyside region. They are particularly notable for their documentation of social and cultural life, as well as for their unique 'dual portraits' technique of capturing multiple headshot photographs for passports split across a single glass plate. As a commercial and press photographer, the collection includes images of: sports and leisure; music; parades and pageants; local and private events; weddings; health and welfare; seaside leisure; maritime life; studio portraits; transport; local politics; and other themes of social, private, and public life across Merseyside.

The collection also includes extensive manuscript records of the collection's contents. Although we cannot make these transcriptions available due to personal data restrictions, they have been digitised and these transcriptions are searchable to internal archive staff. Please enquire at archives@ljmu.ac.uk for more information or for us to search for specific photographs held within this collection on your behalf.
AdminHistoryKeith Medley was a commercial and press photographer who worked in and around Merseyside for most of his career. Born in South Africa in 1915, Keith Medley attended school in the United Kingdom and then spent a period in the merchant navy before taking a photographic apprenticeship in Liverpool at Dorondo Mills, Lime Street. While working at Dorondo Mills, Medley photographed the opening of the Queensway Mersey Tunnel by King George V on 18 July 1934, from the vantage point atop St George’s Hall.

Medley then moved to London to work for an advertising agency to cover Lever products, photographing cakes and other food cooked in local kitchens, as well as other product advertisements such as Lifebuoy soap. Subsequently, a chance meeting with Howard Coster - the celebrated society portrait photographer - led him to gain work as Coster's Studio Assistant, meeting other notable people such as A A Milne and his son Christopher Robin, Leon Goosens, Aldous Huxley, and other well-known writers. Keith Medley's portrait of Howard Coster is in the National Portrait Gallery collections.

On the outbreak of the Second World War, Medley returned to Liverpool to marry Eileen Deakin at Crosby Registry Office. Soon afterwards he was called up and posted to the Marine Aircraft Experimental Establishment in Helensburgh, Scotland, where he met his later business partner Bob Bird, and filmed the first Bouncing Bomb experiments in Sunderland Flying Boats. He later photographed parachute drops of jeeps, guns, commando troops, Polish, French, and British troops, and drops of supplies for the Maquis.

In 1949 Keith Medley had returned to Merseyside, and set up a photographic business with his business partner Bob Bird. The work included studio portraits, weddings, local events, and press work for local and national newspapers.

By 1960, Medley was also working for Movietone News as cameraman for the North West. Movietone produced newsreels for distribution to cinemas. Notable events at which Keith filmed include at Coniston, when Donald Campbell tragically lost his life when his craft Bluebird crashed while attempting the water speed record, the Investiture of Prince Charles at Caemarvon, and the funeral of Sir Winston Churchill in London.

In 1964, Medley became sole owner of the business, having bought out his partner Bob Bird. He also set up a further business, Cameracraft. The work included much press photography, in particular for the Liverpool Echo and Daily Post, the local newspaper Wallasey News, and a Liverpool shipping newspaper Journal of Commerce.

Work in the King Street studio included portraiture, photographs for mail order catalogues, and passports. Commercial work included progress pictures of the construction of the Kingsway Mersey Tunnel, from the start of construction through to the opening in June 1971.

In 1984, his studio moved from King Street to Liscard, where he took part in the Charming Child competition for Wallasey News, photographing many of the children of the town. Medley continued working until his retirement in 1987, leaving the studio to settle down to a quieter life of reading, crosswords, and attempting to befriend the superior cat which had adopted him. He sadly died in 2004, aged 89.
CustodialHistoryGenerously donated to LJMU Special Collections & Archives by Jon Medley in 2009.
Related MaterialKeith Medley's portrait of Howard Coster can be viewed on the National Portrait Gallery website: https://www.npg.org.uk/collections/search/portrait/mw116928/Howard-Coster

Terence Gallacher worked at Movietone News head office and gave Keith Medley his assignments. Terence's blog includes a colleagues section, with one page devoted to his recollections of working with Keith: https://terencegallacher.wordpress.com/2012/10/23/colleagues-keith-medley/

All the Movietone films where Keith Medley receives a credit are listed on the British Universities Film and Video Council website and many can be viewed online: http://bufvc.ac.uk/newsonscreen/search/search.php?adv_index1=staff&adv_q1=%22MEDLEY%2C+Keith%22

Photographs from the Keith Medley collection were used in the Our Day Out oral history project in 2015, where interviews were conducted using the images as a prompt. This culminated in a year long exhibition at the Museum of Liverpool.

A digital copy of the 1991 publication Living Memories of Merseyside: The Late 40s, 50s, and early 60s: A photographic journey round the Liverpool area from the camera of Keith Medley, selected by Steven Barnes, captions by Colin Hunt & Cliff Hayes (Printwise Publications Ltd.) can also be made available via LJMU Special Collections & Archives.
AccessStatusOpen
AccessConditionsPlease note that this collection is currently uncatalogued, but we still welcome requests to view material from this collection. Be aware that access to some of these records may be closed or restricted because they contain personal data which identifies people who may be alive, in accordance with data protection legislation, or because they contain other sensitive information.

This collection also has serious conservation issues and many of the items within this collection are fragile and at serious risk of further damage. We may not be able to accommodate requests to view items which are too fragile to be handled without specialist training.

Although we cannot make transcriptions of the manuscript ledgers available due to personal data restrictions, these records have been digitised and the transcriptions are searchable to internal archive staff. Please enquire at archives@ljmu.ac.uk for more information or for us to search for specific photographs held within this collection on your behalf.

Digital reproductions may also not be available for some items in this collection due to intellectual property right restrictions, particularly applying to photographic items dating before 1964. Please contact archives@ljmu.ac.uk for all appointments and enquiries.
LanguageEnglish
CreatorChristopher Olive, Assistant Archivist 2024
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